Can’t argue with the real Fat Joe, wish I had the full tape, can’t get anything better than this…
DJ Premier: “Kanye’s New Album Is Strictly Hard Beats And Rhymes”
(Click on picture to enlarge…)
Scans from The Redbull Bulletin magazine. DJ Premier was already rumored to be on Kanye West new album “Good Ass Job” dropping in June (featuring Pete Rock confirmed by himself),expect a delay…
One little extra, new track I ripped from Statik Selektah’s first radio show on Sirius XM:
Kali – Rock Star (Feat. Termanology) (Produced by Statik Selektah) (Radio Rip)
Montreal Gazette Inteviews DJ Premier
MONTREAL – I have this fear. You know the stereotype of the baby boomer who swears by the Beatles and the Stones, and complains that they just don’t make music like they used to?
I fear I’m the hip-hop equivalent.
Don’t get me wrong. Great rap records continue to be made, but not as often as they used to. The first rap album I bought was Run-DMC’s Raising Hell in 1986. From then until – let’s say the day Notorious B.I.G. died, March 9, 1997, was what I consider the heyday of the genre.
So news that DJ Premier and Pete Rock – two of the biggest hip-hop DJ-producers of the ’90s – will be in town Saturday night is heaven-sent. And a chance at a phone chat with the former was just too good to pass up.
As the beat-making half of New York City rap duo Gang Starr, Premier is an icon. The group defined a rugged yet poetic musical vision where art met street. They crafted several classic albums in a career that spanned from 1989’s acid-jazz-predating No More Mr. Nice Guy to 2003’s late-career statement The Ownerz.
“We ran the entire decade,” Premier said, reached last week in Queens, N.Y. “Not a lot of hip-hop groups run a decade. But from 1989 to 2003, we were consistent and relevant non-stop.”
Premier and rapper Guru had gone their separate ways in recent years, but Premier has been checking in daily for updates on his old partner, who remains hospitalized after a heart attack at the end of February.
“He’s still in a coma,” Premier said. “There have been a lot of rumours going around. I deal with his family directly, and get my updates from them. … He’s breathing, he’s alive, and he’s fighting to maintain.
“It hurts,” he continued. “It saddens me that it’s like that. I miss him. I’ll love him forever.”
Times have changed. It has been more than 20 years since Guru heard Premier’s demo tape and asked him to join Gang Starr. Their first single, Words I Manifest, sampled a Miles Davis and Charlie Parker recording of A Night in Tunisia.
It was the beginning of the “jazz-rap” tag that Gang Starr would be identified by, and would later try to move beyond (leading to Guru’s Jazzmatazz series on the side). At the heart of the group’s sound was Premier’s instinctive blend of musicality and hard-edged undertones. Known for his intricate layering of samples, his tracks always told a story, and were based in his knowledge of a wide variety of music.
“I’m 44 years old,” he said. “I didn’t have hip-hop as a kid. We had soul, jazz, blues, zydeco, country. I’m from Texas. Country was normal – George Strait, Merle Haggard, Patsy Cline.
I grew up watching Hee Haw and loving it. It was all we had.”
As Gang Starr’s status grew, Premier became increasingly in-demand as a producer. He made tracks for KRS-One, Das EFX, Nas (including three tracks on his classic 1994 debut Illmatic), Jeru the Damaja (producing his acclaimed debut, The Sun Rises In the East), the Notorious B.I.G., Group Home, M.O.P and, later, Jay-Z, Rakim, D’Angelo and many more.
Of all his collaborations, I asked Premier which he is most proud of. He answered not as a producer, but as a fan.
“Definitely Rakim and KRS-One,” he said. “They are artists I looked up to and who I wanted to accept me for being dope. That they wanted to work with me, it felt like I had made it. Big Daddy Kane, Gang Starr even, these were monumental things. Working with Nas, Jay and Biggie was fun, but they were younger than me. They were up-and-coming youngsters making a statement. I didn’t put them on as high a pedestal. … Jay didn’t make me want to do it. I was already doing it.”
Which is not to say that he didn’t throw himself wholeheartedly into tracks he made for the “youngsters,” or that he was any less of a fan. He recalled in detail the recording sessions for Nas’s Illmatic, made with a who’s who of producers including Pete Rock, Large Professor and Q-Tip.
“I was at the session for Life’s a Bitch,” he said. “I met Nas’s father (jazz musician Olu Dara). He went to play the horn at the end and Nas said ‘Get crazy. …’ I remember The World Is Yours session, with Pete laying it live; it was cool to watch the process.
I remember when Q-Tip gave the One Love sample, he had it looped on cassette. He was pause-mixing it, with no drum machine. I said ‘Wow, I can’t wait to hear this song.’
“I witnessed all that. I remember giving Nas a ride home that day … Those memories mean a lot to me.”
But Premier is not one to rest on his laurels. He produced several tracks on Christina Aguilera’s 2006 album Back to Basics, and worked on the follow-up, Bionic, due in June – though his tracks reportedly didn’t make the final cut, as the sound went in a more futuristic direction.
He began our conversation by talking excitedly and at length about current projects, including his label Year Round Records, protégés NYGz, his Friday night show on Sirius satellite radio, and more.
Asked what fans can expect from him and Pete Rock on Saturday night, Premier replied: “Back and forth motion of hot records. He picks a song, I pick a song. We go through different categories and bring nothing but heat.”
Source: The Montreal Gazette
WEDNESDAY CLASSICS: WBLS Thunder Storm Radio Show (03/04/1994)
Sorry, we just have one hour of this show. This was bootlegged as “Vol. 1”, but it’s just a recorded show from March 4th 1994 that used to be hard to find. I’m going to do every wednesday a thowback DJ Premier mix starting from 1994 to 2000! Ending in 20 weeks (I think). Enjoy, I already did a thousand of times!
Nick Javas & DJ Premier In London Clip
Props to Biggest Gord from LiveFromHQ Blog, the man with the cam!
The Making Of Pete Rock Soul Survivor (1998)
Why not sharing this on lazy sunday? I wonder what I’ll find next on my hard disc. DJ Premier is also in it btw, around 7min.
Live From HeadQCourterz (04/02/2010)
Or
DJ Premier – Live From HeadQCourterz (04/02/2010)
Tracks:
- Brown Bag All Stars – The Agenda
- Rytmus – Jediný
- Roc Marciano – Wuteva Wuteva
- Kool Sphere – Intro
- Nutso – This Is My Hood (Feat. Royal Flush & Mic Geronimo)
- Joell Ortiz – Project Boy
- Meth, Ghost & Rae – Mef vs Chef 2
- Ghetto of St. – Fresh Out
- Sauce Money – Snipershot
- WC – Frontline
- Soulbrothas – Original Rap (Feat. Nutso & Butta Verses)
- Nick Javas – Not A Game (DJ Mix Version)
- Soulbrothas – Real MC’s (Feat. Blaq Poet, NYGz & Krumb Snatcha)
- Eternia – It’s Funny (Feat. Joell Ortiz)
- Sadat X – Everybody Know (Feat. Money Boss Players)
- Nutso – So Tired
- Meth, Ghost & Rae – Dangerous
- Marco Polo & Ruste Juxx – Take Money (Feat. Rockness & Bumpy Knuckles)
- Kool Sphere – Unconditional
Guests: Soulbrothas & Nutso
Soulbrotha – Real MCs (Feat. Blaq Poet, NYGz & Krumb Snatcha) (Prod. by Soulbrotha) (Radio Rip)
Soulbrotha from Germany were last night guests on Premo’s LiveFromHQ chilling. DJ Premier played this new track from them that will appear on their next 12″ somewhere in may with Largo Pro on the B-Side. A-side contains this track featuring NYGz, Blaq Poet & Krumb Snatcha! I personally love it, enjoy:
Soulbrotha – Real MCs (Feat. Blaq Poet, NYGz & Krumb Snatcha) (Prod. by Soulbrotha) (Radio Rip)
Need that 12″!
Marvin Gaye: From Misery To Ostend; Happy Birthday Marvin Gaye
by gimantalon…
I’m from Belgium like some of you know and if you don’t know, Marvin Gaye has a very special band with Belgium. He lived in the city Ostend (The closest cities from where I live) for months to pick up his career again after a downfall, tracks like “Sexual Healing” were recorded in Ostend. Very touching story, Marvin Gaye and his relationship with the sea and Belgium. Here you have an interview from 1994 from the guy who took care of Marvin Gaye at that time in the Belgian Magazine “Humo”. I used google to translate the dutch into english. If you want only DJ Premier posts, simply don’t read.
Early eighties stranded Marvin Gaye, penniless and addicted to cocaine, London. Freddy Cousaert, a part-time concert promoter took Gaye under his wing, kept him away from the drugs and put him back on track. Eighteen years later, Gaye from Ostend, Belgium included with the album “Midnight Love” and especially with the single “Sexual Healing” an unprecedented comeback.”Freddy’s the Best Thing That Ever Happened to Marvin,” said a friend and attorney Gayes Curtis Shaw in “Man Trouble”, a BBC documentary in which the last years of Marvin Gaye to be reconstructed through interviews.
FREDDY COUSAERT: In the sixties I had a r & b club, and regularly went to London, hunting for new records. In London I was often in the Q Club, which was attended mainly by blacks. There I learned many people famous in the music. Every week you could well find Jagger and Rod Stewart. That were inspiration came looking (laughs). Gradually I was accepted by the ‘black’ London environmentally. One day the boss of Q club calls me: Marvin Gaye was on Christmas Eve in Q occur. I almost fell backwards, I asked if he could introduce me to Marvin. I never dreamed that Marvin Gaye two months later would sit at my kitchen.
HUMO: How was he added, when you first met him?
Cousaert: He lived first in a posh apartment, then in a cheap apartment hotel. He snorted cocaine and had a lot of worrying constantly surrounded by questionable people: dealers and hangers-on. A British tour promoter had him a few weeks previously, after a disastrous tour, with only $ 5,000 left in London. That he had nipped the return tickets for his group can afford. He was completely broke.HUMO: How did he end with you in Ostend you?
Cousaert: A week after that first meeting he tried to call me at home. I was not there, but my wife was. She talked half hours with him. He sounded depressed, she said. When I called back, he seemed to be in Brighton. Marvin loved the rain and wind, the fairness of the sea. Sometimes he went to the coast, to sit on the breakwater. When I told him that he can do all these things in Ostend, he immediately decided two weeks to come and visit. We have here then an apartment for him and arranged for him when he was made a member of the family. Those two weeks became a month. We became friends and later business partners. As he gradually became her old self again, I organized a successful tour for him, with the highlight of a concert at the Casino of Ostend, which was broadcasted directly by the national television. He held personally about £ 55,000 and could hardly believe it. Then I have him a contract with CBS Records decorated. Larkin Arnold, a senior executive of CBS who was just Michael Jackson’s “Thriller” in the weather, came personally to Ostend. He wanted assurance about the physical and mental condition of Marvin. Now, he was quickly convinced. “I Can See he is in very good hands,” he said, and the project was financed.HUMO: When the trouble started.
Cousaert: From the States was much pressure exerted on him. He sat back in the saddle, so he was for the businessmen in Los Angeles again ‘interesting’. Figures emerge from everywhere were hoping that a piece to ride.HUMO Like?
Cousaert: The New Yorker David Ritz, who suddenly stood, saying he was making an interview for Rolling Stone. Halfway through the interview leaves the Ritz term ‘sexual healing’ fall. Marvin says that he like the song title. After the interview we eat, and Ritz says casually that he wants $ 10,000, if we want to ‘have’ the title. Marvin and I almost fall of our chairs. We tell him that we needed Ritz on the cover would indicate, and that’s what happened. But in the States has gone to court Ritz, pointing out that cover entry, and the story that he is the song ‘Sexual Healing’ would have co-written. The judge gave him was right too, and since then he gets royalties for it! I was present when “Sexual Healing” was written. Odell Brown and Marvin have that song written. Nobody else.HUMO: What makes your collaboration jumped off?
Cousaert: In Switzerland we had opened an account in the name of Marvin, where his money was deposited. The problem was that Marvin was absent when the bank forms were signed. Everything was also in French, and the bank could not immediately us an English document delivery. Marvin suggested that I would act as a holder. I wish absolutely not do, so he registered his accountant. A provisional one. But this problem kept dragging because Marvin always the case postponed. A few months later we get a phone call: a seething Marvin, who had unsuccessfully sought money from his account to be removed. The bank accepted his signature course not. He thought we were trying to cheat him off and even a lawyer came into the picuture. Then I got angry. I went to Switzerland and were I proved he was wrong. He turned in, but our relationship chilled rapidly. Eventually, they gave him an excuse lured to the States: his mother was supposedly ill and wanted to see him. In October 1982 he moved to the States. He was supposed to come back, but we’ve never seen or spoken him again.Humo: The documentary says a friend of Gaye father, also a pastor, that he was not surprised when he heard news of the shooting. “He showed me the gun,” he says meaningfully.
Cousaert: Indeed, an artist whose name I will not mention, but take it from me that it is a highly reliable person told me that he spoke with his father a few weeks before the shooting. He too had seen the weapon and had Gaye father had even added: “I’m gonna take him out before some white man does it.”
Source: Humo
R.I.P. Marvin Gaye, also Freddy Cousaert recently died, R.I.P.
Joell Ortiz – Project Boy (Street Version) REAL CDQ
Finally, props to DJ Premier himself who send this one out… A real CDQ version of “Project Boy”, the other onces were low bitrate so how you can call it CD Quality?? Enjoy:
Joell Ortiz – Project Boy (Street Version)
I wonder if this gonna end up on vinyl…